In his writing, Gilles Deleuze drew on a vast array of source material, from philosophy and psychoanalysis to science and art. Yet scholars have largely neglected one of the intellectual currents underlying his work: Western esotericism, specifically the lineage of hermetic thought that extends from Late Antiquity into the Renaissance through the work of figures such as Iamblic...(展开全部)

Miguel de Beistegui identifies the impetus and driving force behind Deleuze's philosophy and its concepts. By returning Deleuze's thought to its source--or, following Deleuze's own vocabulary, to what he calls the event of that thought--Beistegui extracts its inner consistency: immanence. Chapters dealing with the status of thought itself, ontology, logic, ethics, and aesthetic...(展开全部)

Miguel de Beistegui identifies the impetus and driving force behind Deleuze's philosophy and its concepts. By returning Deleuze's thought to its source--or, following Deleuze's own vocabulary, to what he calls the event of that thought--Beistegui extracts its inner consistency: immanence. Chapters dealing with the status of thought itself, ontology, logic, ethics, and aesthetic...(展开全部)

The work of Gilles Deleuze has had an impact far beyond philosophy. He is among Foucault and Derrida as one of the most cited of all contemporary French thinkers. Never a student 'of' philosophy, Deleuze was always philosophical and many influential poststructuralist and postmodernist texts can be traced to his celebrated resurrection of Nietzsche against Hegel in his Nietzsche...(展开全部)

Description In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of th...(展开全部)

Description In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of th...(展开全部)

Philosophy After Deleuze provides a concise and accessible introduction to Deleuze in relation to philosophical inquiry. The book shows how Deleuze's work contributes to contemporary debates in each of the major areas of philosophy: metaphysics, ethics, aesthetics, and political philosophy. Hughes begins by examining Deleuze's style, aiming to explain and justify Deleuze's ofte...(展开全部)

Philosophy After Deleuze provides a concise and accessible introduction to Deleuze in relation to philosophical inquiry. The book shows how Deleuze's work contributes to contemporary debates in each of the major areas of philosophy: metaphysics, ethics, aesthetics, and political philosophy. Hughes begins by examining Deleuze's style, aiming to explain and justify Deleuze's ofte...(展开全部)

From the early 1960s until his death, French philosopher Gilles Deleuze (1925-1995) wrote many influential works on philosophy, literature, film, and fine art. One of Deleuze's main philosophical projects was a systematic inversion of the traditional relationship between identity and difference. This Deleuzian philosophy of difference is the subject of Jeffrey A. Bell's Philos...(展开全部)

From the early 1960s until his death, French philosopher Gilles Deleuze (1925-1995) wrote many influential works on philosophy, literature, film, and fine art. One of Deleuze's main philosophical projects was a systematic inversion of the traditional relationship between identity and difference. This Deleuzian philosophy of difference is the subject of Jeffrey A. Bell's Philos...(展开全部)